Hello, calendar. Leaving early for a long weekend, so nothing new until Tuesday. See below for Alissa Quart's poem, "Girls I Have Loved."
(I am listening to Snow Patrol and hearing an almost exactly 50/50 split between Lou Barlow and MBV influences. Question: Did rock bands wait for an overly respectful time before biting the MBV tremelo bar bend w/matching vocal? Is it because folks thought MBV would come back? Or was it a genre attitude towards biting? I reckon hip-hop would have jumped on that great "booooo-eee" move and spit out 30 records with the same sound right away. Further: I loved Swervedriver's Mezcal Head and recall that it borrowed some moves, but did any bands really shamelessly bite the whole MBV stee? I am asking, for real.)
GIRLS I HAVE LOVED
R. snickers when I say I listen to public radio. Radio should be private, as in the song “Private Eyes” or a secreted social intelligence. New York exhales recession. I am ten. R. is 11 and not rich enough though she lives over a garden. Her family eats spaghetti too often and she glamorizes her bunk bed. Still, the acne on the sides of her nose enchant, two twin flags of adolescence, the miserable mount awaiting me. With extremely combed hair, luncheon foods wrapped in plastic, and old lady good handwriting, R. will win some prize, I think. She tells me to buy Best of Records. I give us code names after spices. R. is Hot Pepper. I am Cinnamon: placating, invisible. The grown-ups’ jacket pins announce their subjectivities. They are small parts of the death of punk. I write reports on the Rainforest. I would like to live there. God is George Washington on the front of the quarter.
At twelve, T. looks like a horse but is too tasteful to be a horse girl. She has the long fingers of pianist. She does not have the temperament of one who practices. Tall and smart looking, she is not sixth-grade pretty. She is practicing for when she will be the living sign of young sex, in three years, impressively wry about boobs and tatas. She smokes downstairs. I don’t know where that is. She never does anything bad for the first time, has always done it already. I wonder of the latch key kid cosmopolites, the ones who don’t bunt their softballs. What do they do when they are alone? What does everybody do all day and what do they talk about? After all, secondary sex characteristics only appear to me when I look them up in the Woman’s Health Manual. My favorite dirty word is abortion.
A pugilistic blonde, C. affects a half-hearted rejection of the New York rich girls that have always embraced her. “What’s your gambit?” she says. I am nineteen. Her pale blonde head and her skirt shimmers. Her self-conviction is bottomless. I learn from C. the inches permissible during the return of the flair jean—three. The proper coding for melancholia—a Neapolitan silent screen star crying. A dinner—four spoons of tahini in front of a 1960’s photo of Cuba. Generic cigarettes—proud poverty. The Good—marginal parents. Knowledge—to be worn lightly but constantly cited, and never finding its expression in the Law. Beauty —ostensibly invisible but always in use, like drugs.
Then there’s diminutive, ductile, duplicitous Z., spoiled, bat mitzvah girl for the ages F., everyone-thinks-I-am-beautiful I., tall imposing sophistic E., exacting, cruel motherly L., shining, willfully complacent, star-mad J., shaky lyrical suicide-to-be P.
Girls I have loved cover their eyes with fine shiny hair, tug on their small ears and wraithish wrists, emanate throaty laughs, heal occasional infections, powder over their impoverishments. Every dyad is a chance for them to deploy their own romance. They are vicious protectors with rice papery skin, slang-slingers, well-scented, brilliant, teases, baiters, evaders, wise-asses, nice people, self-adorers. I am leaving out the girls I have left.Posted by Sasha at May 27, 2004 04:55 PM | TrackBack